Archive for the ‘Around the Attic’ Category

Light In The Attic Zine: Issue 5 – Available Record Store Day 2013

Wednesday, April 17th, 2013

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Record Store Day is just around the corner, along with the launch of Issue 5 of our anual Light In The Attic Zine! It’s been an exciting year here at LITA, which makes for a killer read!

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Issue 5 is jam packed with news on our upcoming releases, exclusive interviews, articles, prose from Light In The Attic’s own, and an updated catalog with an old school style tear-out order form, and much much more! The LITA crew will be out and about on Record Store Day (4/20/13), hand-delivering stacks to some of our favorite shops in Seattle and Los Angeles. Such as: Everyday Music Seattle, Silver Platters, Easy Street, Sonic Boom, Wall Of Sound, Amoeba, Mt Analog, Mono Records, Origami Vinyl, Vacation, Permanent, Rockaway Records, Gimme Gimme Records, Pooh Bah, Freakbeat, Wombleton, and CD Trader! Follow us on TWITTER, INSTAGRAM, and FACEBOOK to track us down and snag a copy!

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If you’re not in Seattle or Los Angels, or if you plan on hiding under the covers on Record Store Day, don’t worry. You can order a copy of the zine direct from us, at LightInTheAttic.net! Copies will also be included inside select releases throughout 2013!

  • “Thoughts From The Top” by Matt Sulivan
  • John Trennoff on the 2012 LITA Road Trip
  • Alex Maas of The Black Angels talks with Roky Erickson
  • Jim Horn on Phil Spector
  • Patrick McCarthy on Big Boys
  • Stephen “Sugar Man” Segerman on Rodriguez
  • “Native North America” by Kevin “Sipreano” Howes
  • “Inner Expansions: Ray Stinnett” by Jessica Hundley
  • A conversation with Marcos Valle $ Rodrigo Amarante
  • “Dig The Looks: Stoughton Printing
  • “This Was The Love Moment: D’Angelo’s Voodoo” by Jason King
  • “Every Bit Of Stock I Have: George Ginn & The Record Album”

 

A Life In The Death Of Joe Meek

Sunday, September 16th, 2012

Joe Meek was a loose cannon in the music industry and a truly fascinating guy. Susan Stahman and Howard S. Berger have been working hard for years, in true Joe Meek D.I.Y. fashion, to tell his story on the silver screen and they need your help!

Click here to check out their Kickstarter page! And remember, these donations aren’t a one way street- They’re shelling out some pretty epic prizes (I’ve got my heart set on those Clive Bubley prints)! Let’s help get this movie made, so we can all go see it.

I’ll leave you with a Joe Meek #1 hit: Telstar by The Tornados, written and produced by the man himself! Enjoy.

Mac Davis, Hell Of A Songwriter

Sunday, September 2nd, 2012

Illustration by Jess Rotter (Rotter & Friends)

I’ve been jamming my Country Funk 1969-1975 LP a lot this week, trying to stay cool in this heavy LA heat. I keep coming back to Mac Davis’s “Lucas Was A Redneck.” It’s the last track on the A side, which makes it easy to repeat.

In the recent anniversary of Elvis Presley’s death, I went on a serious Elvis binge, coming to realize, my good ole boy Mac Davis wrote a lot of my favorite jams! Here’s Elvis singing “In The Ghetto,” written by Mac Davis (similar theme to my prized Country Funk track, kind of).

And here‘s Mac singing it himself, what a voice!

The man knows how to write a song. Check this interview with Davis, put together by the Texas Heritage Songwriter’s Association. It’s pretty insane to hear all the hits he’s written. He talks a little about his relationship with Elvis and the inspirations for a lot of his songs (unfortunately, they don’t touch on “Lucas Was A Redneck,” devil only knows what inspired him that time around).

If you’ve got a hankerin’ for some Country Funk, pick up the comp here and prove to everyone at the saloon you weren’t “born to be a bum” in a Rotter & Friend’s Country Funk T-Shirt, slick as an eel! HOT DAMN!

Lee Hazlewood & Torbjörn Axelman – A House Safe For Tigers

Monday, August 27th, 2012

Open your eyes and ears to this great video of Lee Hazlewood performing the title track off the A House Safe For Tigers OST. The clip is from the original documentary-style film, which makes this a very unique recording of the song. Just Lee and his guitar, singin’ for Torbjörn and some other Swedish buddies.

AND here is Lee Hazlewood’s “The Nights” as featured in the film Cowboy In Sweden (also directed by Torbjörn Axelman). This track shows up again on the A House Safe For Tigers soundtrack in 1975, one of my very favorite songs on the album.

You can pick up the A House Safe For Tigers soundtrack here, and find some other cool Lee Hazlewood merch at LITA LTD. 

Searching For Sugar Man – Opening This Friday!

Thursday, August 23rd, 2012

Heres a list of all the theaters that will start showing Searching For Sugar Man this Friday! We really hope you all get a chance to see the film on the big screen.

SCOTTSDALE, AZ
CAMELVIEW PLAZA 5

MILL VALLEY, CA
SEQUOIA TWIN

SANTA CRUZ, CA
NICKELODEON FOUR

BALTIMORE, MD
CHARLES THEATRE

SEATTLE, WA
HARVARD EXIT

For more information, and a list of theaters already screening the film CLICK HERE. Enjoy the show!

Light In The Attic’s 10 Year Anniversary | Seattle & Los Angeles Concerts | Limited Edition 7″ Series

Tuesday, August 7th, 2012

Hard to believe ten years have passed since Matt Sullivan and Josh Wright founded Light In The Attic, a label responsible for some of the sharpest looking and sounding reissues and new albums of recent years. To celebrate the tenth anniversary, Light In The Attic has put together some very special events and a series of exclusive singles.

In the ten years since its inception, Light In The Attic has launched The Black Angels to the world and released rare treasures from funk-rock maverick Betty Davis, proto-punk band The Monks, folk singers Karen Dalton, Jim Sullivan, and Michael Chapman, larger-than-life troubadours Serge Gainsbourg and Lee Hazlewood, Korean rock hero Shin Joong Hyun, and Memphis soul heavyweights Wendy Rene and Charles “Packy” Axton.

Over the years, we also delved deep in to the history of our home town with vintage Seattle soul via the series Wheedle’s Groove, reissued classics from country stalwarts Kris Kristofferson and the Louvin Brothers, brought rock-n-roll farmers Donnie & Joe Emerson to the public, expanded minds with the deeply vibrant Jamaica to Toronto series, and played a key role in the rediscovery of legendary singer-songwriter Sixto Rodriguez, recently celebrated in the Sony Pictures Classics critical smash film, Searching For Sugar Man. The list is long.

It’s only right, then, that we’re not letting an anniversary like this pass unmarked. Headlining two celebratory concerts is Rodriguez, a man for whom rediscovery via Light In The Attic has taken him from obscurity to long-deserved fame. Line-ups for the two shows – to be held in Los Angeles and Seattle – will include the third ever U.S. performance by South Korea’s 75-year old ‘Godfather of Rock’ Shin Joong Hyun, veteran Yorkshire finger-picking wizard Michael Chapman, and a very rare performance from rediscovered darlings of private press, Donnie & Joe Emerson.

In addition to the shows, we will be releasing a series of very special singles as colored vinyl 7”s and digital downloads. The series features contemporary artists covering a track reissued by Light In The Attic on the A-side, plus the original version on the B-side. The series begins with Iggy Pop & Zig Zags covering Betty Davis, and the standard remains equally high.

Sullivan conceived Light In The Attic having worked as an intern for Seattle’s Sub Pop and Loosegroove labels in the ‘90s. Spending a summer in Spain working for reissue label Munster Records, he hit on the idea of launching his own. In the decade in which the world went digital, Light In The Attic bucked the trend, focusing on creating beautiful, covetable, desirable discs. “That’s what gets us up in the morning – finding records, finding new ways to shed light on them and get them the respect they deserve,” says Matt. “The packaging, the album, it all has to be one inspiring experience.”

Light In The Attic 10 Year Anniversary Concert (Los Angeles):
Friday, September 28, El Rey Theatre, Los Angeles
The first 200 people through the door at both shows get a free 45 single, and the merch stall will be a Light In The Attic record store – heaven for label completists. 

RODRIGUEZ (Detroit)
SHIN JOONG HYUN (South Korea)
MICHAEL CHAPMAN (U.K.)
STEPHEN JOHN KALINICH (Los Angeles)
DJ SIPREANO (Vancouver)

Tickets available via this link.

Light In The Attic 10 Year Anniversary Concert (Seattle):
Friday, October 12, The Showbox at The Market, Seattle
The first 200 people through the door at both shows get a free 45 single, and the merch stall will be a Light In The Attic record store – heaven for label completists. 

RODRIGUEZ (Detroit)
MICHAEL CHAPMAN (U.K.)
DONNIE & JOE EMERSON (Fruitland, WA – first Seattle appearance)
DJ SUSPENCE (Seattle)

Tickets available via this link.

Light In The Attic Anniversary 7″ Series:
We’re only at liberty to unveil the first few, which are as follows…

Iggy Pop & Zig Zags – Pre-Order at this link.
“If I’m In Luck I Might Get Picked Up” (2012) b/w Betty Davis, “If I’m In Luck I Might Get Picked Up” (1973)

Sweet Tea featuring Alex Maas (The Black Angels) & Erika Wennerstrom (Heartless Bastards)
“After Laughter (Comes Tears)” (2012) b/w Wendy Rene, “After Laughter (Comes Tears)” (1964)

Charles Bradley & the Menahan Street Band
“I’ll Slip Away” (2012) b/w Rodriguez “I’ll Slip Away (1967)

Keeper of the Tapes – Ben Stillman on Kearney Barton’s tape archive

Monday, July 16th, 2012

Ben Stillman wrote this blog post about his experience archiving the late, great Kearney Barton’s vast tape collection, which we took over after Kearney passed away earlier this year. Though it was surely a lot of work, looks like Ben also had some fun in the process and possibly discovered some gems in the collection. Thanks for fighting the good fight, Ben. RIP Kearney. We miss you.

I was asked during my first week as an intern at Light In The Attic to move equipment out of Seattle producer Kearney Barton’s home studio. At that time, the name ‘Kearney’ didn’t mean much to me, at least not as much as it came to mean in the following months. Kearney’s studio as we found it was a relic of the past filled with countless reels and vintage recording gear. We packed a U-Haul and dropped the cargo off at a storage unit in Ballard. There we compiled his legacy into a vast and disorganized stash, which, stacked one cardboard box on top of the other, towered over my 6-foot frame. I didn’t know it then, but his tapes would dominate the next year of my life.

After finishing my internship, I was kept on to sort through and catalog Kearney’s reels. Initially it seemed insurmountable – an overwhelming task that would only be conquered by passion and patience, I found that the best way for me to work was late at night with copious doses of caffeine and Brian Eno. I could judge a reel’s significance by how fastidiously Kearney had labeled it. The most interesting were the 1” and ½” tapes, because they usually contained recordings from serious musicians who had enough money to pay for nicer tape. The ¼” reels were much more tedious; they were often jingles, or radio advertisements. Occasionally a very interesting ¼” reel would pop up. I once stumbled across a box of NBA recordings from the 1970s, including recordings from the Seattle Super Sonics’ 1978 Championship season. Rummaging through the tapes I sometimes felt like a paleontologist sorting through the bones of an ancient creature. As the months passed, the stacks of sorted boxes grew taller and taller. It took nearly eight months and roughly sixty trips to Ballard, but I eventually sorted through all 5,000 Kearney reels.

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All photos by Alex Peycheff.

Although he never wrote a song, Kearney was a true artist. With the tools of his chosen medium, Mr. Barton documented the time and place in which he lived. He frequently attended Seattle music festivals, church masses, political debates and sporting events, always bringing with him his portable ¼” tape recorder. Each reel is a snapshot of the day it was recorded, and the end product of organizing the stash he left behind is a meaningful portrait of Seattle in the 50s and 60s. Kearney’s Seattle was a place where roller skating was the popular weekend activity, where there were only 13 channels on TV, where Garageband referred to bands that played in garages, and where radio – rather than the Internet – was the common venue for the discovery of new music. It was also a place where in order to record audio for any purpose, one had to first win the respect of the man behind the recording console. These tapes are a lost piece of Pacific Northwest American history and they belong in the Smithsonian. Fortunately, they’ve found an ever better home at Light In The Attic.

Happy Birthday, Rodriguez!

Tuesday, July 10th, 2012

Throw on your copy of Cold Fact tonight and crucify your mind for our boy Sixto.

Also, check out the trailer for Searching For Sugar Man (Opens July 27th in NY and LA):

Interview With Eddie Shaw of The Monks

Sunday, July 8th, 2012

In honor of Black Monk Time getting back into circulation, we dug up this 1996 interview with Eddie Shaw, conducted by The Ptolemaic Terrascope.

Eddie discusses pre-Monk years, self distribution, meeting Hendrix, and more! So much good stuff. Read the interview here and if you haven’t already, pick up a copy of Black Monk Time here.

And, check out The Monks performing “Monk Chant” on German television in 1966:

Free Basin’ Fridays – Diana Darby “I V (Intravenous)” LP Giveaway!

Friday, June 22nd, 2012

TGIFBF! It’s Free Basin’ Friday! This week we couldn’t be more stoked to give away a LP copy of Diana Darby’s IV

Diana Darby’s I V (intravenous) is a brand new album of songs that have passed through seven years of fire in a real life, retaining what Pitchfork called “minimal, whispered rendition(s)” of “powerfully fatalistic evaluations of hope.”

I V follows in the footsteps of three critically acclaimed releases and continues Darby’s unique ability to create beautiful and scary confessional tapestries, full of “fine lyrics and stellar arrangements” (Pop Matters). It is sure to reconnect Darby to her loving cult — and entrance an entirely new crowd of noir-folk fans with her deceptively lovely songcraft.

Though living in Nashville for the past several years, Darby returned to New York in 2011 to record new songs inspired by a staggering amount of deeply challenging circumstances. Her guitar and vocal tracks were cut live from ferociously focused single takes. Additional instruments and harmonies were added back home. The result is a nuanced, intense, gorgeous full-length album with top-notch studio players (Viktor Krauss, Dan Dugmore, and David Henry) adding to Diana’s vision.

The rare combination of chillingly evocative musicianship, coupled with Diana’s voice and words has produced a fourth album that is anunforgettable psychotropic journey.

Leave a comment below with your name and email (kept private) for your chance to win! Winner will be announced next Friday.