Posts Tagged ‘Charles ‘Packy’ Axton’

Charles ‘Packy’ Axton “Late Late Party 1965-67″ CD/LP PRE-ORDER!

Monday, August 8th, 2011

In the vast netherworld of soul there are countless characters that reside on the fringe, their significant contributions to American music history long forgotten. Born in Memphis, Tennessee, tenor saxophone player and bandleader Charles ‘Packy’ Axton is yet another of the uncelebrated, despite a deep pedigree and funky catalogue of notable grooves. Part of the mighty Stax family through birth—Packy’s mother Estelle Axton and uncle Jim Stewart founded the southern R&B dynasty in the early 1960’s—Packy picked up the sax at a young age, and after linking with future Booker T. & the M.G.’s Steve Cropper and Donald ‘Duck’ Dunn, formed the The Mar-Keys. Almost reaching the top of the R&B and pop charts in 1961 with the classic “Last Night,” friction caused by Packy’s party going ways caused a split. It wasn’t until 1965 that the wild child had another national instrumental hit on his hands, “Hole In The Wall” by the Packers, chronicled by Light In The Attic Records in the first ever anthology of Axton’s work: Late Late Party 1965-67.

Charles 'Packy' Axton "Late Late Party 1965-67" stacked up!

Despite the loving support of his musically minded mother, Packy was ostracized from Stax proper through a rift with Stewart because of his casual approach and oft-eccentric ways. Packy preferred hanging out and playing music with local black musicians, something that in the racially tense south, was viewed negatively by some. Still, throughout the mid-1960’s, Packy recorded a series of hard, short, and down home R&B stompers at Royal and Ardent Recording Studios by heavyweight producer John Fry (Big Star, Isaac Hayes, Ry Cooder), accompanied by legendary Stax and Hi Records dynamos Steve CropperBooker T., and Teenie Hodges (Al Green, Ann Peebles, Syl Johnson). Featuring songs released on labels such as Bar Records, Hollywood, Pure Soul Music, and U.S.A. Records (not to mention several unreleased gems) Late Late Party 1965-67 includes seventeen powerful instrumental and vocal tracks for your listening pleasure. Supplemented by Memphis-writer Andria Lisle’s extensive liner notes, unpublished photographs, and featuring lovingly remastered audio, Late Late Party is shines a light on an overlooked part of the Stax story. Essential listening.

Charles 'Packy' Axton "Late Late Party 1965-67" CD and LP

For more info, audio samples and to pre-order Charles ‘Packy’ Axton Late Late Party 1965-67 (LITA 067 -CD|LP+Download Card for Unreleased Track|DIGITAL), click HERE!

Charles “Packy” Axton Listening Party in Memphis at the Stax Museum of American Soul Music!

Wednesday, August 10th, 2011

For all of our Memphis friends, save the date of August 23rd for a very special engagement at the Stax Museum of American Soul Music. Charles “Packy” Axton - Late Late Party 1965-67 is the first ever anthology of Packy’s work as a band leader/songwriter and we are very honored to celebrate this release on Packy’s home turf in Memphis at the legendary Stax Museum. Spread the word with this Facebook event! Details below.

Listening Party - Charles “Packy” Axton – Late Late Party 1965-67 (LITA 067 CD | LP)
Stax Museum of American Soul Music – 926 East McLemore Ave, Memphis, TN
Tuesday, August 23rd from 4-6PM

Charles “Packy” Axton – “Late Late Party 1965-67″ CD/LP OUT NOW!

Tuesday, August 23rd, 2011

Today is the day! We’re proud to present the first ever anthology of Charles ‘Packy’ AxtonLate Late Party 1965-67! And for all you Memphis folk, don’t forget about the FREE listening party at the Stax Museum of American Soul Music TODAY, Tuesday August 23rd from 4PM – 6PM. Details HERE!

Born in Memphis, Tennessee, tenor saxophone player and bandleader Charles ‘Packy’ Axton is yet another of the uncelebrated, despite a deep pedigree and funky catalogue of notable grooves. Part of the mighty Stax family through birth—Packy’s mother Estelle Axton and uncle Jim Stewart founded the southern R&B dynasty in the early 1960’s—Packy picked up the sax at a young age, and after linking with future Booker T. & the M.G.’s Steve Cropper and Donald ‘Duck’ Dunn, formed the The Mar-Keys. Almost reaching the top of the R&B and pop charts in 1961 with the classic “Last Night,” friction caused by Packy’s party going ways caused a split. It wasn’t until 1965 that the wild child had another national instrumental hit on his hands, “Hole In The Wall” by the Packers, chronicled by Light In The Attic Records.

Steve Cropper, Charles ‘Packy’ Axton, Wayne Jackson, Don Nix, Terry Johnson, Donald ‘Duck’ Dunn. Photo courtesy of Don Nix.

Despite the loving support of his musically minded mother, Packy was ostracized from Stax proper through a rift with Stewart because of his casual approach and oft-eccentric ways. Packy preferred hanging out and playing music with local black musicians, something that in the racially tense south, was viewed negatively by some. Still, throughout the mid-1960’s, Packy recorded a series of hard, short, and down home R&B stompers at Royal and Ardent Recording Studios by heavyweight producer John Fry (Big Star, Isaac Hayes, Ry Cooder), accompanied by legendary Stax and Hi Records dynamos Steve CropperBooker T., and Teenie Hodges (Al Green, Ann Peebles, Syl Johnson). Featuring songs released on labels such as Bar RecordsHollywood,Pure Soul Music, and U.S.A. Records (not to mention several unreleased gems) Late Late Party 1965-67 includes seventeen powerful instrumental and vocal tracks for your listening pleasure. Supplemented by Memphis-writer Andria Lisle’s extensive liner notes, unpublished photographs, and featuring lovingly remastered audio, Late Late Party is shines a light on an overlooked part of the Stax story.

For more info, audio samples and order Charles ‘Packy’ Axton - Late Late Party 1965-67 (LITA 067 -CD | LP+Download Card for Unreleased Track | DIGITAL), click HERE!

Charles “Packy” Axton – “Late Late Party 1965-67″ – What’s Inside???

Friday, August 26th, 2011

Here’s a little treat for all of you who are asking…man, that “Packy” Axton release looks sick but what’s inside? Well, here you go:

Charles “Packy” Axton – Late Late Party 1965-67 (LITA 067 – CD | LP | DIGITAL) OUT NOW!

Wendy Rene “After Laughter Comes Tears” Anthology OUT TODAY!

Tuesday, February 7th, 2012

Here it is! Out today – Wendy Rene After Laughter Comes Tears: Complete Stax & Volt Singles + Rarities 1964-1965 (LITA 080 – CD | 2xLP | Digital). Collecting for the first time ever all of Wendy Rene’s recorded output (including two songs never before heard!), After Laughter is an essential document of this Memphis Southern soul legend. Spanning her earliest recordings with The Drapels to her final sessions in ’65, this anthology includes her most well-known songs “After Laugher” (as sampled by Wu-Tang Clan on 36 Chambers and featuring Booker T. Jones), “Bar-B-Q” (co-written with and featuring Steve Cropper) in addition to never before heard greasy jams like “I Wish I Were That Girl” and “He Hasn’t Failed Me Yet.”

Both the CD and 2xLP versions feature book-deep liner notes interviewing Wendy Rene by Memphian Andria Lisle (who also penned notes for our Jim Sullivan, Lou Bond, and Charles ‘Packy’ Axton releases), with many rare photos provided by Wendy Rene, unseen shots of original tape boxes, and original 45 labels. And what else? 2xLP housed in an extra thick Stoughton “Tip-On” gatefold jacket with a gloss so shiny you’ll need shades to keep from going blind. And for all you heads out there, we couldn’t resist cribbing the Volt logo for the CD/LP labels…smooth!

For the full visual/audio scoop, check out the “What’s Inside?” videos below and hop on over here to pick up your copy today!